StarWars: The Last Jedi (2017) iLK21 LayarKaca21PG-13 Genre: Action, Adventure, Fantasy, Science FictionYear: 2017 Duration: 152 Min. 3155 votes, average 7.2 out of 10. Rey develops her newly discovered abilities with the guidance of Luke Skywalker, who is unsettled by the strength of her powers. Meanwhile, the Resistance prepares to do battle KomentarArtikel : *Berpotensi SPOILER!!!! Prolog Star Wars adalah salah satu franchise fiksi tertua di dunia (sudah > 40 tahun), seharusnya franchise ini Komentar Artikel : Resensi Film | ''Star Wars : The Last Jedi'', Kebangkitan ''First Order'' - Kompasiana.com KisahThe Last Jedi semakin seru dengan parade adegan aksi. Rian Johnson memberikan klimaks yang sanggup membuat penonton geregetan. Ini ditambah kehadiran visualisasi indah dengan warna-warna tajam. Sayang, kebimbangan soal pilihan baik dan jahat berpengaruh terhadap ritme cerita. Sejumlah bagian The Last Jedi terlalu panjang dan tidak berkesudahan. Reydevelops her newly discovered abilities with the guidance of Luke Skywalker, who is unsettled by the strength of her powers. Meanwhile, the Resistance prepares to do battle with the First Order. Genre: Action, Adventure, Science Fiction. Release: 2017-12-13. . Cultura Pop Animes Celebridades Listas Música Nostalgia Notícias Cinema Crítica de Filme Clássicos Leitura HQs Livros Tiras Games Game News Game Review Podcast CqDL Radiola Torresmo Varacast Umbivis Séries Netflix Tv Página inicial404 não encontrado 404 Página não encontrada! Parece que nada foi encontrado neste local. Tente uma pesquisa abaixo. Home » Star Wars The Last Jedi Review December 18, 2017 Comments count0 Abrams had an unenviable task two years ago when he set out to make what became The Force Awakens reboot Star Wars without changing anything. And to his credit, he did just that by making a shockingly giddy reinvention of that galaxy far, far away that also played like the greatest hits of what came before. But for all his success, the rewards found in The Last Jedi prove even greater. At last we have, for the first time in ages, a Star Wars movie that’s all too happy to go where we don’t expect. To be sure, Rian Johnson’s evocative and often exhilarating sequel continues the post-Disney mandate to remix elements that bask in the familiar. Hence why the First Order is even more imperial this time, striking back against Resistance forces who look increasingly like rebels; Jedi and evil sorcerers alike sit in chairs while skeptically sizing up would-be apprentices; and we even get an epic battle on a planet that may as well be called Salt Hoth given how powdery white those crystals look when the AT-M6 walkers stomp across the landscape like mechanized buffalo grazing during the dregs of winter. Yet within all this repetition, Johnson uses his solitary writing and directing duties to massage and then manipulate our nostalgia. His film subverts and seduces, twists and turns, and frankly challenges us just when the audience dares to get too comfortable. It also gives a needed shot of adrenaline to the numerical Star Wars films that, by the end, leaves you uncertain what is up and what is down, or what is light and what is dark. Still, most will be delighted to jump to lightspeed to find out. That alone makes this vision far less ominous than the marketing suggests. Without giving too much away, The Last Jedi is largely a 152-minute chase across the stars. After a spectacular opening battle, the rebellious and tattered Resistance, led by an unsinkable General Leia Carrie Fisher, spends much of the film fleeing through the cosmos with the First Order nipping at their heels. Despite suffering a grievous blow at the end of the last movie, Andy Serkis’ Supreme Leader Snoke has regrouped his armies and is unfazed as he reinstates fascist rule throughout the galaxy. Intriguingly, however, no matter how high the stakes are raised in this intergalactic grudge match, the most compelling events are occurring on a little island that looks an awful lot like Ireland. In actuality though, it’s Ahch-To, and it is there that this movie picks up right where The Force Awakens left off. Rey Daisy Ridley has come to recruit Luke Skywalker Mark Hamill back into the good fight. Unfortunately, she finds him… less than receptive. Worse still, not only does Luke refuse to get back onto the Millennium Falcon, but this last of the Jedi also demurs from training Rey in his ancient religion. Instead he views his guest as first a nuisance and then later as something akin to his last pupil, Kylo Ren Adam Driver. She’s dangeorus. As it turns out, there are many similarities between Rey and Ren that extends beyond their names, and the more it haunts Luke, the more resistant he becomes. Thus Rey is tempted to seek answers from the other party of this failed master and padawan relationship, just as the First Order begins closing the gap between itself and the wounded Resistance Fleet. Remarkably in spite of its length, The Last Jedi is mostly able to keep things moving at an even keel and with a tonal dexterity that is unusual for the franchise. While the movie borrows more than a few elements from the beloved middle chapter of the original Star Wars Trilogy, The Empire Strikes Back plus some of Return of the Jedi too, Rian Johnson has infused the material with his own decidedly playful sensibility. With more than a hint of self-deprecation, the movie flips on a dime from the reverential and earnest awe that Abrams placed in his worshipful predecessor to gags with the sharpest sense of humor this side of Jabba’s Palace. Seriously, the little Porg aliens who infest Ahch-To threaten to steal the whole film. This is not to say that The Last Jedi ever risks erring into the realm of comedy, or even the pseudo-comedies of Lucasfilm’s sister Disney division, Marvel Studios. There is simply a noticeable dedication to freshen up what is considered appropriate Star Wars, all while maintaining the genuinely gee-whiz delight that has long been entrenched in this saga. The effect intentionally buttresses the familial melodrama that comes in the film’s second half, which crescendos nicely into a grandiose opera by the finale. But to get there, it can at times feel overstuffed, even at two and a half hours. Cut and cropped at a dizzying pace, the top-heavy editing of The Last Jedi suggests Johnson had to still squeeze his already fast-paced yarn into its luxurious running time. This is all the more peculiar since much of the narrative that doesn’t involve Rey, Kylo, or Luke can sometimes appear irrelevant during the middle. For instance, Finn John Boyega and newcomer Rose Kelly Marie Tran attempt an espionage mission that takes them to what is the Star Wars equivalent of the French Riviera. It’s a casino city named Canto Bight, and their adventures here push the Rick’s Café sensibilities from the original Star Wars’ cantina sequence to their limit. Nevertheless, this entire subplot amounts to a whole lot of padding while the real tough and revelatory decisions are made on Ahch-To. In an even more supporting role is Oscar Isaac as Poe Dameron. While Poe still plays third banana to Rey and Finn, his increasingly complicated relationship with Leia and Vice Admiral Amilyn Holdo Laura Dern is one of the stronger elements of the picture, and provides the Star Wars universe with another wonderfully realized female leader. It also allows Isaac to ever more defiantly slouch into the Han Solo role of the next generation, a neat feat for an actor who was supposed to have only cameoed in The Force Awakens. Still, the movie belongs to its revered history. Hamill plays Luke as gnarly and grim, and almost wholly unlike the farmboy or heroic Jedi we remember from 35 years ago. Leia is conversely even more like the late-great Carrie Fisher this time around She’s dry, sardonic, and lovably deadpan. Developing the wit of Hollywood royalty to accompany her onscreen princess title, Leia’s grace and Luke’s mercurial misery are what ties the film together. This movie is very much about them accepting the past and bequeathing their future to young people who are more than just the franchise’s fresh crop this time around—they’ve become true heirs. Join our mailing listGet the best of Den of Geek delivered right to your inbox! The heavy lifting Johnson does—balanced with more than a little fan service—causes The Last Jedi to be Star Wars’ true legacy film. With the torch already passed before the opening crawl, the protagonists now wield this heritage as swiftly as a lightsaber, and when it comes down to the pairing of Ridley and Driver, the movie crackles with real force. Much of the film is about Hamill letting go of the past, but with Ridley and Driver bringing considerable heat and shadings of equivocacy to their roles, they each promise a future for Star Wars more layered than good versus evil, or Jedi versus Sith. Driver also confirms Kylo to be one of the decade’s best baddies. It is in their scenes together the film finds its true spark, and it’s one that lights up the movie’s numerous and impressive action sequences. With a painterly eye and the showmanship of an old school Western epic, Johnson draws each battle and lightsaber sequence with the kind of visual poetry and patience almost forgotten at the blockbuster level—and populates it with characters who are not just lovable, but now are also very, very troubled. By the end, an ambiguity has seeped into the Star Wars universe, and with it, a new overcast gray hangs above all the players. Yet the contrast just makes them and the hue of their blades pop all the brighter. Every new Star Wars movie since Disney bought Lucasfilm has been heralded as the first worthy successor to the Original Trilogy, but with The Last Jedi it’s finally true. Privacy Settings Ano 2017 Título Original Star Wars The Last Jedi Dirigido por Rian Johson Avaliação ★★★★★ Excelente Definir qual Star Wars é o melhor de todos os tempos é bastante relativo e também uma experiência bastante pessoal. Se Os Últimos Jedi é ou está entre os melhores, na verdade, é o fator menos relevante ele é um filme com toda a essência da saga e que faz a ponte definitiva entre gerações da série, seja em sua própria estória como na relação com os fãs. Se tem algo que O Despertar da Força – seu antecessor – possui é uma relação mais estreita com a trilogia clássica em diversos aspectos, inclusive basicamente repetindo toda a fórmula do capítulo IV Uma Nova Esperança, o que não é um ponto negativo, mas ainda demonstrava, talvez, receio por parte de seus criadores e produtores para se trilhar um novo caminho para Star Wars. Star Wars Os Últimos Jedi dá maior voz à nova geração de personagens da saga, que conduzirão o destino da franquia nos próximos anos. Com uma trama direcionada neste sentido, tende a agradar gregos e troianos, fãs antigos e novos, fechando o ciclo de alguns personagens e proporcionando maior empatia e profundidade à Rey, Finn e cia. O filme se passa diretamente após o capítulo VII, com a Primeira Ordem seguindo no encalço da Aliança Rebelde e Rey em busca de Luke, tentando convencê-lo a aliar-se a rebelião e salvar a Galáxia. Luke, no entanto, recusa-se a encarar tal empreitada, afirmando que seu ciclo – e os do Jedi – já chegara ao fim. Dentre todos os capítulos de Star Wars, Os Últimos Jedi talvez seja um dos que melhor abordam o conflito espacial, proporcionando cenas épicas de tirar o fôlego e ótimas reviravoltas, além das batalhas incríveis. É também um filme sobre autodescoberta, onde, de certa forma, todos os personagens acabam compreendendo melhor seu papel na guerra e no universo. E, como não poderia ser diferente, destaque para Rey e Kylo Ren, que aqui entram definitivamente para o hall dos personagens memoráveis da saga. Se o longa possui algum ponto negativo, com muito esforço este talvez se encontre no número de piadas, que em algum momento podem soar desnecessárias, mas incapazes de afetar a experiência do filme. Experiência esta que se torna maravilhosa em uma enorme tela de cinema, dada a fotografia espetacular – uma das melhores já vistas nas telonas e que, possivelmente, deve render uma indicação à Academia. Que a Força esteja com Star Wars por muitos e muitos anos! Confira outras resenhas de filmes aqui. Siga o Meta Galáxia nas redes sociais! Kompasiana adalah platform blog. Konten ini menjadi tanggung jawab bloger dan tidak mewakili pandangan redaksi Kompas. *Berpotensi SPOILER!!!! Prolog Star Wars adalah salah satu franchise fiksi tertua di dunia sudah > 40 tahun, seharusnya franchise ini selesai dengan 2 trilogi ep 4 -6 dan ep 1 - 3 dan dilanjutkan melalui media lain yang disebut Star Wars Extended Universe / Star Wars Legend. Tapi karena Disney sudah membeli Lucasfilm selaku rumah produksi dari Star Wars, maka diadakan beberapa perubahan seperti mengubah/menghapus beberapa Extended Universe dan tentu saja membuat trilogi terbaru untuk Star Wars!! Hasilnya adalah Episode 7 "The Force Awakens" yang dirilis pada tahun 2015 yang sukses LUAR BIASA walaupun hanya mengulang formula yang ada di "A New Hope" dan memiliki banyak kelemahan lain yang baru saya temukan setelah menonton ulang film ini. Disney sendiri memiliki rencana "cukup nyebelin" dengan merilis ep 8 pada tahun 2017 dan membuat spin-offpada tahun 2016 dengan bentuk "A Rogue One" yang jujur saja terlihat unik dan sangat fresh. Tapi tetap saja para fans harus sabar menunggu 2 tahun untuk melihat Episode 8 dan kelak Episode 9. Lalu bagaimana dengan Episode 8 The Last Jedi ?? media luar sendiri banyak memuji film ini dan beberapa bahkan mengatakan bahwa The Last Jedi sempurna dan lebih baik daripada The Empire Strikes Back, seri yang dianggap sebagai standar tertinggi untuk sebuah trilogi. Apa segitu dashyatnya film ini ??? padahal seharusnya film ini juga bernasib sama seperti The Force Awakens yang hanya sekedar mendaur ualng "A New Hope". Pendapat dari saya ??? The Last Jedi adalah film yang bagus meski memiliki beberapa kekurangan yang bagi saya cukup fatal. Dan ya, bahkan The Last Jedi kembali mendaur ulang "The Empire Strikes Back" meski eksekusinya "sedikit" berbeda saya bilang sedikit yah, bahkan elemen "A New Hope" kembali saya temukan pada film ini. Jadi sepertinya berlebihan sekali jika menyebut The Last Jedi adalah film yang sempurna. Bagi saya sendiri, 30-40 menit dari film ini adalah "mimpi buruk" bagi para fans Star Wars. Tapi seperti kata George Lucas si pencipta Star Wars "Star Wars Is Like Poetry, They Rhyme" Star Wars seperti puisi yang berirama. secara tidak langsung mengatakan jika pasar masih menerima formula yang sama 1 2 3 4 5 6 7 Lihat Lyfe Selengkapnya

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